The album features hits like “We Are Never Ever Getting Back Together” and “22” and the re-recorded version include duets with Ed Sheeran, Chris Stapleton and Phoebe Bridgers. Now fans will get a chance to hear more from her transition period with the release of “Red (Taylor’s Version)” out on Friday, which is expanded to 30 tracks.
Taylor Swift’s 2012 album “Red” straddled the line between country and pop, as she started working with new producers and expanded her sound. But this one recruits talent like Ellie Kemper, Rob Delaney, Kenan Thompson and Chris Parnell, who might just make this one worth checking out. “Home Sweet Home Alone,” meanwhile, is somehow the sixth “Home Alone” spinoff.
The Clifford pic brings the beloved Scholastic pup to the home of a middle schooler (Darby Camp, who played Reese Witherspoon’s daughter in “Big Little Lies”) struggling to fit in in New York City. There’s also some new offerings for the family (or just the kids) in “Clifford the Big Red Dog,” coming to Paramount + on Wednesday and “Home Sweet Home Alone,” streaming on Disney+ on Friday. To be fair, this started out as a Universal film, but like last week’s Apple TV+ Tom Hanks offering “Finch,” it was sold to the streamer in the first summer of the pandemic. It’s the kind of billing where you almost don’t need to know what it’s about (a globe-trotting treasure hunt, international criminals and Johnson as an FBI agent) or what the critics are saying (not at lot of good so far). The comedy-action film has a big screen budget of over $160 million and three major movie stars in Dwayne Johnson, Gal Gadot and Ryan Reynolds. Can a movie be a blockbuster on Netflix? That’s what “Red Notice,” available at home on Friday, hopes to accomplish.
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